Tuesday, June 11, 2013

Review: "The Wonder Bread Summer" by Jessica Anya Blau

Title: The Wonder Bread Summer
Author: Jessica Anya Blau
Publisher: Harper Perennial
Date Published: May 28, 2013
Pages: 288 pages



How I Heard About It: TLC Book Tours and the publisher kindly provided an advance reader's copy for review, in conjunction with Jessica Anya Blau's online tour. 

Two Sentence Summary: Berkeley college student Allie finds herself in a bind when she steals a Wonder Bread bag full of uncut cocaine from her skeezy boss Jonah, who owes her a great deal of money, so that she can pay her tuition.  When Jonah sicks his thug crew on Allie, she flees to Los Angeles to track down her absentee parents and finds herself in a series of increasingly unfortunate events.

You can find more info here, here and here.

Jessica Anya Blau
Things I Think: There is a whole lot going on here in terms of plot. Stolen drugs, Billy Idol backstage hook-ups, giant birds falling out of the sky, lousy friends and lousier parents, a coke-addicted paraplegic porn mogul overdosing in the back of a van... There is certainly an entertainment quality in the rapid turnover of (literally) unbelievable events that transpire. 


This unbelievability, however, is what lessened the impact of "The Wonder Bread Summer." I don't mean unbelievable in the Coleridge-ian sense, in that I was "unable to suspend my disbelief." I "suspended" all through the first few chapters, let myself ride the chaotic waves the author set in motion. But the wildness of the plot, the sheer randomness of the characters' behavior, so drives the book that it overwhelmed any opportunity for me to connect to the characters. 

I think I would have enjoyed this more had there been more three dimensionality to the humans about which Blau writes. Allie could be a fascinating protagonist, were we granted a bit more insight into her choices, her interior monologue. As it is, I have trouble understanding how a girl that is solidly characterized as rather tame and pretty responsible so rapidly veers into a drug-snatching hot mess that has sex with Billy Idol backstage on a whim. Again, not totally out of the realm of possibilities, but as a reader I need to see how and why a huge transition like this occurs. 

I'm sure this book will find an accepting audience; after all, it is chaotic with the potential to be shocking. I went into this with high (pun intended) hopes for a unique view of 1970s California and some substance to go with the flash, and sadly did not find it. 





Tuesday, May 21, 2013

Review: "Sight Reading" by Daphne Kalotay

Title: Sight Reading
Author: Daphne Kalotay
Publisher: Harper Collins
Date Published: May 21, 2013
Pages: 352 pages


How I Heard About It:  A review  copy of this newly-released paperback was provided by TLC Book Tours and the publisher as part of Daphne Kalotay's official blog tour. 

Two Sentence Summary: Sight Reading closely follows the lives of professional, classical musicians embroiled in the music school / conservatory scene.  A student (Remy) and her conductor begin an intricate affair that becomes just one of the many complicated landscapes these dark characters navigate.

Daphne Kalotay
Things I Think: As a long-time violinist, I was terrified to read this book.  The only thing worse than someone fake-playing instruments in movies is someone fake-writing about playing instruments in novels. Research can be done, and people can be interviewed, and performances can be reviewed to glean facts, but conveying the experience of the well-trained musician is something that can easily fall flat, or descend into the realm of the tritely romanticized.

But Ms. Kalotay nailed it. From the descriptions of orchestral collaboration to the intensity of master classes, competition, and rigorous rehearsals, nearly everything about the musical picture felt, from the perspective of someone who has experienced these things, familiar and real. 

While the setting of the musical conservatory is what lends the book its most exotic aspect, the plot is a bit less engaging: a young, starry-eyed student falls in love with her older, mysterious (married with a kid) conductor; the conductor's wife is struggling with feelings of loneliness and isolation due to constant intercontinental moves; the conductor's closest work friend is a foil, well-versed in the ways of student-instructor relationships and seemingly unashamed of his affairs. The scenarios are familiar and the plot movements are often anticipated. 

The elegance of the prose (as described by novelist Tom Perotta)makes me draw a metaphor between the content and style: like a classical composition, the opening gestures are indicative of how the piece will develop and progress. Because the story's skeleton is fleshed out with such vividly beautiful description and well-crafted dialogue, it matters less that we've heard stories like these before. 



Tuesday, February 19, 2013

Q&A with Author Margot Berwin

Margot Berwin's recent release "Scent of Darkness" is a delicious young-adult-esque novel with exactly the gothy undertones I love (reference: "The Elementals" by Francesca Lia Block). 




Two sentence summary: A young woman named Evangeline is given a scent (from her departed aromata grandmother) that makes her completely irresistible to other human beings. Set in both upstate New York and New Orleans' French Quarter, the story is a magically surreal look at the motivations behind desire, and the extreme means people will go to for something they covet.

Thank you so much to TLC Book Tours for the chance to chat with Margot! And now, I give you, the author herself...




First I want to give a Big thanks to Karen for having me on her blog!

My name is Margot Berwin and "Scent of Darkness" is my second novel. At the top level it's about perfume, and loving two men at the same time. But underneath it's also about portrait painting and shaving.

KB: The dual cities in which "Scent of Darkness" is set are such a vibrant, engaging part of the book. What is your relationship to these places? What informed your vivid writing?

MB: I'm a New York City girl who's always dreamed of a country house and that may be why I set the first few chapters in upstate New York. That way I could live up there...if only in my mind.
The second half of the book takes place in New Orleans-and that happened purely by accident. I was at work, writing websites for an ad agency, bitching about how I couldn't find a quiet place to write in the city, when a co-worker and friend, offered me his apartment in the French Quarter. He was swamped with work and couldn't get out of NYC. He handed me the keys and just like that I was living in New Orleans--I'd never been there before and I fell completely and forever in love!

I was so influenced by the city, the music, the food and especially the twin scents of jasmine and magnolia that I immediately got one of my characters into medical school at Tulane and placed the whole second half of the book in the French Quarter.

I can't wait to go back down there on my book tour and read in the beautiful Garden District Book Shop!

KB: How do genre classifications affect your work? Are you cognizant when writing of classifications like "young adult" and does this change your intentions? Or do these things only come into play after the novel is complete?

MB: This is a very interesting question. I don't write with a genre in mind. I write what I write. But with this book I was aware that since my protagonist is 18 years old that it might fall into the YA category or maybe New Adult fiction, which is a new and quickly growing category. These thoughts were in the back of my mind but they did not influence the writing. I just have to do what I do and let the chips fall, genre wise.

KB: I recently read Francesca Lia Block's "The Elementals," which I also very much enjoyed. She has a similar balance of gothic darkness with rich, realistic plot. Has work like hers, or others, inspired you? If so, who would you cite as an influence in these directions? Who are you currently reading? What books would you recommend to your readers?

MB: I haven't read The Elementals but now I'm looking forward to it!! Thanks! For this book I think my major influence was the Japanese writer Haruki Murakami. In my mind he is one of the greatest living writers. He works with magical realism that is blended with a realistic storyline. He's a master of that. Some books that he's written are: The Windup Bird Chronicle, A Wild Sheep Chase, Kafka on the Shore.



KB: What is your writing process like? I'd love to hear about this more in the over-arching, long-term sense and in the immediate sense (as in, do you write in public? alone? do you listen to music? what is revising like?)

MB: My process goes something like this: Think, think, think all day for days and months. Then write and write for 5-10 hours a day after the story is figured out in my mind. I think of the entire story first, I can visualize it, I'm very visual, and then when I sit down to write the world goes away for a while and I become totally immersed. Thank God for my friends who tell me when it's time to eat and shower.

I write alone. I cannot write in public. I'm a very social person so I tend to go out a lot with friends and then come home and isolate in order to write. My life is split between being completely surrounded by people, and then totally alone.

Music is a big part of my writing. I was recently asked to compose a playlist of stuff that I listened to while writing Scent of Darkness. It can be found here.

I really love revising-it's one of my favorite parts of the process. Also, I tend to do a big brain dump in the beginning so revising is very important. It's a lot of fun because I've gotten the hard part, the story itself, done. I like to go back in and deepen and deepen a little more each time. Of course when a book is sold to a publisher, there will be many more revisions..heh, heh...
Margot's first release

KB: As a recent MFA program graduate, I'm curious to know more about your experience at the New School. Additionally, how did you transition from a writing program into being outside of an academic community? What advice would you have for others going through this process?


MB: I wrote two books before going into an MFA program, neither of which was published. My agent suggested that I get an MFA because she felt that publishers use that degree as a sort of weeding out process.

I did use one of my early novels for the application and it won me a scholarship, one of two given that year, so it validated that book for me even though no one wanted to publish it.
I did my MFA at night, they let you do that at the New School and that's part of the reason I chose to go there. It's a great program, but you can also keep your day job!

MFA programs are interesting. You get to hear what other writer's of your space and time are doing and thinking about, but ultimately you are the writer and what other students or teachers say about your work should be taken with a grain of salt.
Always stay true to what you want to say and don't be easily swayed.

* * * * 

Thanks so much, Margot, for doing a feature post on my blog today! I am definitely a new fan-girl :)












Monday, February 4, 2013

Clarice Lispector (Times Two)

Last month I read and reviewed two Lispector novels for the San Francisco Book Review. I fell intensely in love. (You can find them as originally posted here and here.)




Friday, February 1, 2013

January is the New February (or, Feeling the Love)

I got totally spoiled rotten this January. My mailbox has been a massive party because of lovely friends from across the country and I wanted to do a big bloggy thank you to everyone. 


Exhibit A: New blue hat from Mom! - I lost my favorite slouchy blue hat in September, and after tearing apart my apartment, car, and office, all hope was lost. MOM TO THE RESCUE! She made me a replacement that has all the glory of the original but none of the wear-and-tear.


Exhibit B: Care Package from Colin C! - I think Colin said he started this back in September when I got attacked by crazy-mugger-man. It showed up in the middle of a work-filled Friday this month and I tore it open like a little kid. (This is only part of the care package... there were also mix cds which... omg.) That little Kid Robot unicorn is my new spirit animal.



Exhibit C: Fabric from Kelly - My big sister sent my three chunks of fabric which... let's be real... they're perfect. You can't see it very clearly, but the fabric on the right is dictionary entries for words related to sewing. * dies *


Exhibit D: New Vinyl from Alex - Loren McNames feat. Alex himself! Even the physical record is a piece of art.


Exhibit E: Pile o' Books from Meghan - Meghan is getting ready to have a baby girl but still found time to pop these book club reads in the mail to me. Each one had a note inside with a special Meghan-blurb :) I can't decide which one to read first, but I'm pretty sure it's going to be "Among the Wonderful."
    

Exhibit F: NECKLACE OF MY DREAMS from Caroline - This was one of those "you know me better than I know myself" moments. I saw this piece on Fab.com and died inside with the wanting but found restraint. A few weeks later, a box from Fab.com showed up ... with this inside... sent by Caroline.  OVERJOYED.

I love you all so much. Thanks for making me feel like a million bucks.




Tuesday, January 29, 2013

Fourteen Hills Kicks Off 2013

Last Friday, SFSU's Fourteen Hills Review kicked off another year of literary awesomeness with a local reading at Mission District's Press: Works On Paper. The incredible line-up resulted in a solid turnout and I happily accompanied my friend Donna to listen to some literary greatness.

This was my first experience of the well-known Peter Kline.


First impressions: You are very tall, sir, and your hair has magnificent body. More important impressions: This guy has some serious gusto and makes the incendiary sound delicious. I can't wait to get my hands on his book Deviants, which is forthcoming in the fall of this year.

Ivan Hobson: Machinist. Poet. Former SFSU MFA student. Rad.


Ivan prefaced a piece (my favorite that he read) describing a connection he feels with his grandfather (founder of his family's machine shop) in working with the antique tools. Made me think of the erasure project I did with my great-grandmother's letters. Insert thoughts about erasure as a more physical/tangible experience.

Toni Mirosevich had a pretty epic fan club present and took the stage to major hollering from her SFSU students.


She read a gorgeous short story (about grocery shopping) that made me want to read more of her short stories which I feel confident are equally as gorgeous.

Okay, so I admit that I mostly came to this reading because of Robert Gluck. Hearing Mr. G read his work changes everything.  He was hilariously introduced with a quote from Giancarlo DiTrapano of NY Tyrant Books.  (The quote and the article were originally posted on Vice and you can/should read it here.)


He read a poem about Waterworld. The movie. Written as a letter from himself to Kevin Costner. Oh sweet, sweet laughter.

Finally, a big announcement from Editor-In-Chief Chad Koch! You know that awesome annual fiction award held by Fourteen Hills? And you know their annual fiction anthology?


Fourteen Hills is in the process of creating a similar award and anthology for ... POETRY! Boom. These things will likely occur in the nether regions of 2013 and early 2014, but we've waited this long. More time to polish the sonnets won't hurt, right?

Thanks for (and congrats on) a great event, Fourteen Hills!



Monday, January 21, 2013

Review: "The Uninvited Guests" by Sadie Jones

Title: The Uninvited Guests
Author: Sadie Jones
Publisher: Harper Perennial
Date Published: January 8, 2013
Pages: 259 pages

How I Heard About It:  A review  copy of this newly-released paperback was provided by TLC Book Tours and the publisher as part of Sadie Jones' official blog tour.

Two Sentence Summary: All the things we love about Jane Austen, about Victorian trysts, about eerie ramshackle mansions with none of the struggle to decipher syntax. Totally entertaining and engaging looks into the lives of the formerly-elite.

Things I Think: It is so good to take a step back from CAPITAL L LITERATURE to read some for-fun historical fiction.  My reading diet is not often bolstered by books like "The Uninvited Guests," but I am so glad this book crept into my TBR pile.

The story opens with a newly step-fathered family struggling to save their rambling estate; while this plot element is by no means unique to historical fiction, the vibrantly portrayed family makes this an addictive read from the beginning. Raven-haired siblings Emerald and Clovis, on the cusp of their twenties, are flawed (they hate their stepfather, their loss of affluence, the malaise of their days) but intriguingly mercurial and loveable in their humanity.  Charlotte, the mother of this interesting pair, is a bit of a wilting flower as she opines for the increasingly lost cause of saving the estate. And an eerie youngest sibling nicknamed Smudge provides a ghostly presence that fixates on the crumbling remains of the "old house" that adjoins their living quarters. 

Jones writes with a diction and syntax that is mimetic of the early 20th century, but it is never inaccessible, or difficult to relate to, in the way some readers find Austen to be.   She has imbued her characters and their circumstance with as much light-hearted humor as despair, keeping "The Uninvited Guests" from feeling overwhelmingly like a classic Russian novel.

I will definitely pass this one around amongst my friends and will be recommending this to my fellow humans in book clubs.